When three young, pregnant women are held against their will, a jury must examine just how far they would go to save a life.

While in utero, a young girl experiences her mother's murder and vows revenge on the killer.

In the wake of Hurricane Camille, the infamous '60's storm that crippled the Gulf Coast, a mysterious teenage girl washes up to shore, and the secrets of Mississippi's Sister Island crawl to the surface. Dorrie (Kathleen York), a young doctor living with her mother (Karen Black), assumes custody of the unknown girl (Erin Buchanan) and names her Camille. Terrified and unable to speak, Camille spends her days hiding underneath the dining room table. But when Dorrie unearths a series of curious circumstances surrounding Camille's past, a shocking mystery comes unraveled.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Gauri: The Unborn is a 2007 Hindi film directed by Akku Akbar, starring Atul Kulkarni and Rituparna Sen Gupta. It received great critical acclaim, but commercially was an average grosser. The film was produced by Shogun Films. [1] It was remade as a Malayalam film, Kana Kanmani (2009) directed by Akku Akbar.

Based on the short story “Too Late” by Latvian writer Egils Lukjanskis about one family that helped a German soldier during World War II.

Mexican feature film

Detective Carrie Macklin and her little sister Elle had always been the closest of friends. But when Elle goes missing after a run-in with a relocated sex offender, it is up to Carrie to find her little sister...who is nine months pregnant. Carrie begins to suspect Elle's husband, Scott, may be involved. Family tensions run high as it's a race against time to find Elle and her baby

Michael, a young autistic boy who has trouble with verbalization but a real talent for technology, uses a computer to plead for help after being molested at his school.

Miguel, a 7-year-old boy, lives with three generations of estranged women in an old house. Among them is his mother who, after a traumatic divorce, distances herself from the boy. Miguel takes comfort in Carmen, an enigmatic Venezuelan immigrant who works as a maid for this Brazilian family. Carmen becomes an ambiguous mother figure for the boy, who develops an intimate and unusual bond with her, introducing him to a universe in which the real and the imaginary intertwine.